Natalie grew up in Wisconsin. No, she never wore a cheese hat, unless that was the extent of her attire.


After graduating from the University of Wisconsin, the former Badger decided to broaden her horizons by wasting several months traveling around Europe.


Soon after exhausting her funds and half the male population of Portugal, Natalie returned to the United States, where a chance meeting with Francis Ford Coppola fueled her fledgling design career and led to a feature on the cover of the New York Times Sunday Travel Section.


Soon after, Natalie moved to Southern California where she began work as a production designer on several independent features, including The Still Life, Expired, Fool Me Once, A Beautiful Life, and, of course, The Village Barbershop. In between features, Natalie works on commercials and short films. She continues to travel internationally as much as possible, especially Portugal.


NATALIE SANFILIPPO

Production Designer

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